
His Secret Twins
A divorce, a birth in secret, and six years of silence.
AI film & creative studio · Built for the US market
Full micro-dramas for US audio-drama platforms. Demos for the global short-drama apps. Campaigns for brands. Written, generated, directed and delivered on a schedule you can hold us to.
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Platforms we've worked with and pitched
Full shows delivered for US audio-drama platforms; demos for the global short-drama apps.
Delivered for the US market
Full serialized micro-dramas and demos for US and global platforms. Every frame generated; every character locked across the whole run. Tap any card to watch.

A masked bride, a duke with a crown, a court built on secrets.

Sold at a snowbound auction. Rescued by the duke who never wanted a wife.

A contract marriage, a winter capital, and a debt twenty years old.

The same secret heir, reset on a yacht-and-sunshine coast.

A quiet outsider, a billion-dollar family, one card that changes everything.

Four kids, one secret, and the father who never knew.

Two test scripts turned into one-minute worlds: Crimson Witch and An Astonishing Truth.
More: Persia — the reworked cut ▶ DramaWave demo two: An Astonishing Truth ▶

Vishwamitra and Menaka, retold in a laboratory.

Illusion, rivalry, and a magician with more to hide.

A thirty-second world test: gothic, torch-lit, dangerous.

A divorce, a birth in secret, and six years of silence.



Every screen
We deliver 9:16, 1:1 and 16:9 masters from one production run — reframes checked shot by shot — with captions, packaging and platform-ready hooks, so a show lands on every surface.
What we make
Script to delivery on every one of them. You brief, approve and receive. We do the rest.
45–60-minute vertical shows, from script to packaged masters.
For platforms, audio-drama apps, studios
Hand us the brief and the calendar. We run the content engine.
For brands, D2C, coaches, creators
The first fifteen seconds decide everything. We build them on purpose.
For any show, any platform
How we work
So the whole pipeline is built around memory and approval: lock the decisions, check the work, show you where every minute stands.
Beats, cast, world and tone are locked on paper before a frame exists. You approve the bible.
Every face, costume, location and prop becomes a locked asset. It is the memory the whole show runs on.
Shots are built against the canon. QC gates check every locked asset for completeness and spec before it reaches your review board; failures regenerate automatically.
You approve cast, costumes, locations and reference boards in one click. Every note schedules a regeneration run and the reworked asset comes back to you as pending. Cuts are reviewed block by block.
Masters in every format, on the schedule agreed at kickoff — typically weekly once a show is in production. No surprises at the end.
The studio
VisionAI is led by Kratika Singh, who ran concept and product across seven AI micro-dramas — most of them for US audio-drama platforms — hundreds of finished minutes, six-hundred-plus assets under client approval, and the operating system that keeps a generated film consistent from the first block to the last.
AI filmmaking isn't a generation problem. It's a memory and approval problem. Generation gets cheaper every quarter. Remembering what you decided does not.
Every show gets a producer, AI filmmakers, an editor and a sound designer, working across India on one shared canon. Tools change monthly; the process doesn't.
Start a pilot
Platforms: give us a brief or an IP and we produce the opening episodes of the real show, at no cost. Brands: tell us what a month of content should do, and we'll show you what it looks like.